When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.

My fifth record is, in many ways, inspired by the hugely ambitious progressive pop records that I loved in my youth.

There are certain topics that I've come back to time and again throughout my career. On 'To the Bone,' there are certain subjects I have touched on before.

It's always lovely to discover that the people that you kind of look up to are actually very down-to-earth people.

I used to do films for money earlier. I never knew what perception meant. I didn't give too much attention to scripts. It was either to buy a house or to buy a car. There was a certain frivolity to the way I used to pick up things. I wasn't taking my career seriously.

When we look at what has the strongest statistical relationship to overall evaluation of your life, the first one is your career well-being, or the mission, purpose and meaning of what you're doing when you wake up each day.

I feel 'The Street' is a really accurate comment on the relationships between people.

My career was obviously cut shorter than I wanted it to be.