I made 'Saving Private Ryan' for my father. He's the one who filled my head with war stories when I was growing up.

I missed my dad a lot growing up, even though we were together as a family. My dad was really a workaholic. And he was always working.

Before statehood was achieved, Syria and Egypt had their tanks and military equipment lined up to invade Tel Aviv and destroy it; but the Israelis scrambled together an air force, some of it from old Second World War Messerschmidts, and the invasion was halted.

The Israeli-Palestinian conflict and Jihadism have nothing to do with each other.

Under no stretch of imagination can war be regarded as an ethical process; yet war, force, terror, and propaganda were the evolutionary means employed to weld the German people into a tribal whole.

The meaning of art in a time of suffering, a time of war, is much more intense. People are more focused.

A friend of mine, a Hispanic entrepreneur asked me a question sometime ago, he said, 'When is the last time you saw a Hispanic panhandler?' I think it's a great question. I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging.

That's the way this business works: if your movies do well at the box office, you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well, there's a job waiting for you in Hollywood. It's not any more complicated than that.