I made 'Saving Private Ryan' for my father. He's the one who filled my head with war stories when I was growing up.

I missed my dad a lot growing up, even though we were together as a family. My dad was really a workaholic. And he was always working.

Before statehood was achieved, Syria and Egypt had their tanks and military equipment lined up to invade Tel Aviv and destroy it; but the Israelis scrambled together an air force, some of it from old Second World War Messerschmidts, and the invasion was halted.

The Israeli-Palestinian conflict and Jihadism have nothing to do with each other.

My grandmother had six kids - one died as an infant - and she was dirt-poor, and all her kids got an education. And my mom grew up poor. And they both worked so hard and cultivated so much of their own happiness. I wanted to have that like an amulet. Not like armor, but like a magic feather. Like Dumbo's magic feather.

There's nothing like working with the best actors possible, and if you have a piece of material like, 'Long Way Down' or 'Love Punch,' which allows you to play, then it's just a joy to go to work.

How nations and races of men are to be so governed as may be most conducive to the improvement and happiness of all is one of the most interesting questions that can be offered to our consideration.

When a fan says, 'Man, you saved my life; I heard 'Jungleland'... and I cried... and I felt joy in my life again,' that's my hall of fame.