My Dad hated his job. He sold overcoats, but he wanted to make movies. He had a failed career working with the Ritz Brothers - they were like the Marx Brothers, only a tier below. I always had a picture in my mind of him in a straw hat.

When my father bid $5,000 for the 1962 Championship Game, that was a huge amount. It was double the bid the year before. Pete Rozelle was flabbergasted. Who was this guy who was willing to spend so much money on what seemed like relatively worthless rights to the NFL Championship Game?

We would get 20 different angles and then cut them all together. That's what I called it at the time - the 'cubistic' treatment of shooting football. It was the same thing Picasso did except we did it with a football play. It's taking a single image and looking at it from multiple perspectives.

I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it.'

I'm really happy with how things have gone in Santander. I think coming back to Spanish football has been crucial. This is where I grew up as a player, where I learnt the game.

I love basketball.

What kind of pupil was I? Well, I was a swot, but I was allowed to be without any ill effects by my contemporaries because I was excused from games due to my asthma. So being a swot was something to compensate for not being to play football.

The way we play at Liverpool is with high-intensity football, pressing high up the pitch, winning the ball back quickly, and counter-pressing.