I lived in St. Louis, Missouri, and now my kids are growing up in Los Angeles, so that's culturally very different.

As a kid growing up St. Louis, Missouri, I lived in a predominantly black neighborhood. Any time people talked about slavery, it was always something like, 'If I was a slave, I wouldn't have been putting up with that. I would have been out in a heartbeat.' And it's like, sure, it's a very easy thing to say.

Sarah Paulson is the most prepared and professional actor I've had the privilege of working with. I learned so much about preparation and attention to detail and speaking up when something is not right.

I think what Hollywood is learning at large is that there is profitability in stories that are culturally specific and that you can only address the universal through the specific.

In the village where I grew up, a lot of girls didn't have a choice of whether to go to middle school. They would get engaged or married and spend their entire life in that village.

In film, I think that you do have a little more time to invest in the character compared to television, where you are shooting from the hip and making quick choices. It is the speed of things that is the major difference - certainly in my experience.

No genuine choice is ever simply a matter of the arbitrary exercise of will. Take your choice of lunch today. You can't decide to want anything, but what you want will at least in part be a result of a series of other choices and judgments you've made in your life to date.

Death is not an event in life: we do not live to experience death. If we take eternity to mean not infinite temporal duration but timelessness, then eternal life belongs to those who live in the present.