I lived in St. Louis, Missouri, and now my kids are growing up in Los Angeles, so that's culturally very different.

As a kid growing up St. Louis, Missouri, I lived in a predominantly black neighborhood. Any time people talked about slavery, it was always something like, 'If I was a slave, I wouldn't have been putting up with that. I would have been out in a heartbeat.' And it's like, sure, it's a very easy thing to say.

Sarah Paulson is the most prepared and professional actor I've had the privilege of working with. I learned so much about preparation and attention to detail and speaking up when something is not right.

I think what Hollywood is learning at large is that there is profitability in stories that are culturally specific and that you can only address the universal through the specific.

It's my destiny to make a place where people can come and be happy: a garden of joy.

You cut off the capacity for grief in your life, and you cut off the joy at the same time. They both come up through the same tunnel. You don't have one without the other.

In the second part of my life, away from cycling, I hope I will be able to benefit fully from my family and children in the same way that cycling gave me such joy.

We - we spend a lot of time, scholarly time, thinking about love and sex, but very little about the - the kind of joy that can take over a crowd of people or a group of people, in festivity, in ecstatic ritual of some kind, in celebration.