I was only listening to rock music, burning joss sticks in my bedroom, wanting only to be a disc jockey, and watching six hours of television a night - the worst kind of teenage alienation.

I'm not really a professional composer; I just compose now and then when someone asks me to.

Learning great works like the Liszt Sonata or Beethoven's 'Hammerklavier' should be a struggle to a certain extent, where you need to labor intensely with your own brain and soul for the meaning of the work instead of cutting and pasting a bunch of stuff together from the Internet and - boom! - there you are with a performance ready to go.

Out of silence is born concentration, and from that comes learning.

I tried to give the world a bit of creativity, lyrics. And for me, I will always represent music from Puerto Rico, reggaeton, Latin music.

It's what the Pixies always said about music - they were writing songs and just trying not to be boring. That was their main motivation and it worked for them. I remember reading that and thinking that was the way to do it.

Surely in a world of email, video conferencing and virtual assistants, isn't being expected to show up at the office extremely anachronistic? Yet to date it seems that where one works does matter. That creativity and innovation do feed off physical interactions between people.

I never thought of acting as a creative process. Christ, I used to go to the movies and see Brando talking like he was trying to sell shoes, and he was great. I thought anybody could do it. Then I tried it, and I got so uptight, I'm limited as to what I can do on film.