Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.

In 1990, I was an undergraduate freshman archeology major sneaking over to the English building and unearthing an amazing repository of books I'd never even suspected. By 1998, I'd have my Ph.D.

When I was twelve, Uncle Randall looked up long enough to see that I was a reader as well, so he walked me down his hall to a linen-closet door and opened it up onto a wall of paperbacks. There were books behind books, as deep in as I could reach. He told me to take three, and when I was done, bring them back and take three more.

My uncle Randall always had a book in his hand. He read in the car, he read at restaurants, he read when you were talking to him. He read lots of different things, but mostly it was Louis L'Amour's westerns and contemporary thrillers.

I'd like to try comedy, at some point, but no one ever hires me for comedy, ever.

It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.

Who knew Rob Lowe was funny? On 'Parks and Rec,' we've got some of the funniest comedy writers, some of the funniest comedians in the world working there. And if anything, we don't just effuse to one another and be like, 'Oh, Rob Lowe's really funny,' if he wasn't.