When you think about advertising, it's understanding that whether it's newspaper, radio, or television, you have to know how to advertise, how to market, because ultimately, everything comes down to ratings and revenue or ratings and subscribers and revenue, whether it's newspapers or radio or television.

When I was at the 'Philadelphia Inquirer,' I was promoted nine times in my first 13 years. I ultimately went from general assignment to beats on St. Joe's and Temple, to backup writer, to NBA writer, to NBA columnist, to, ultimately, in 2003, to general sports columns.

I came up in this industry at a time where you had to be a journalist. You had to break stories. You had to break news to elevate your career, to get to a certain point and a certain level in this business, before you even had the license to give your opinion, especially if you were a black man.

Corporate America doesn't give a damn about you. It does not care about your feelings. It wants productivity, and whoever doesn't produce is going to be pushed out, and the way is going to be paved for somebody else to step into your shoes who can do the job.

When I was young, I put on performances for my family and my parents where I would dance like a woman, singing a really exaggerated woman's vocal in front of my whole family.

Million Dollar Arm' touches on many of the Safe At Home Foundation's core values, such as children, teamwork and family.

I have almost no memory of my parents ever speaking to each other. They split up on bad terms. I assumed that's what family life was like. Just essentially a soap opera.

I'm the youngest of four siblings and the baby of the family. My family just treated me like anyone else growing up. They taught me that everyone has a special and unique trait about them, and that mine is that I have a girl brain and a boy body.