I was a nursery school teacher, and I worked with youth groups. I loved that job. It was exhausting, but you got a lot back - all their purity and insight and innocence is so on the surface, and they're so unrepressed; they'd really scream at you and then give you a massive kiss.

When I was writing my dissertation, I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification.

In the music industry, intelligence in women is undervalued.

An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.

I always go in very emotionally when I'm doing music. Sad or happy, I'm always into it. I have a hard time writing for other people, writing with someone else in mind.

Athens is an amazing city for creativity. I bought a house there. A little, tiny place.

I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.

A priest once said to me, 'Think of a priest going to the altar as you walk out on the stage.' I would hate to think that anyone thought I was coming to preach. But art and music open up things that you can't put into words. It's about bringing joy when you go out there.