The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed.

In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began.

That feeling of being part of a group moving together is very powerful. It feels like it opens up a zone of possibility, a place for another self to form, also a place for a new world to form.

My books - I kid you not - are very often shelved between DeLillo and de Sade. Which not only completely cracks me up, but it seems like an encouraging message from the universe: between those two, there's a lot of wiggle room. I feel just fine there.

I'm an only child, and in college, I was given a single, and then I lived with people for, like, two years but were my best friends, and we had a really fun time. And then I lived alone or with a boyfriend. I've never really had a bad roommate situation.

People think just because I'm from the Middle East, I'm an expert on the Middle East. So, like, I got a friend, like, any time the gas prices go up, he'll always ask my opinion about it.

No, no I'm not, no, but I just think... when people are naked it tells you a lot about their relationships.

I've often been told that I'm a 30-year-old trapped in a teenager's body. I don't know how I feel about that, but I'll take it, I guess. I'm definitely mature, and I'm the one that takes care of everyone in my friendship group.