Jewish history has been in my cultural DNA since I was a child growing up in post-war London. In the midst of that dark, gray, lamenting monochromatic world of the '50s, I had a sense that both Jewish and English history were full of color and light and animation.

Growing up in Britain as a rather loose Jew, the two things that didn't belong together were freedom and religious intensity. In America, they do. The Founding Fathers made a bet that if you didn't force everyone to profess religion in their own particular way, you could protect intellectual freedom, and religion would flourish.

I am passionately invested in the survival of Israel and everything Israel represents. But I am extremely critical of much of its policy. I believe that the occupation must end. And if it doesn't, it will end Israel. I'm not in favor of settlements.

It takes a perverse determination to drain that instinctive curiosity away and make history seem just remote, dead and disconnected from our contemporary reality. Conversely, it just takes skilful storytelling to recharge that connection to make the past come alive in our present.

Theater is something that as a performance artist you have to hate.

If you want to know why all writers are a little crazy read 'The Midnight Disease' by Alice W. Flaherty. She talks about the drive to write, writer's block, and the creative brain. I know what's wrong with me!

From Shakespeare to Robi Thakur, everyone has written stories about people and incidents around them. There is no creativity minus reality irrespective of how flowery or abstract you make it.

If technique is of no interest to a writer, I doubt that the writer is an artist.