Mnemonic' is a play about memory.

I spent the majority of time at school trying to break the rules. I would climb to the top of buildings; I even burned a building down once - not intentionally, just because I was interested in fire. I remember going through the rule book, ticking off the ones I had broken and looking for the ones I hadn't.

I don't recall making a conscious decision to become an actor. I just remember winning a prize at a theatre festival when I was 17 and saying: 'Oh, that's what I have to do.'

I try to push a single idea to its absolute limit. So for all of those ideas that existed in the story, you attempt to find a physical realisation in the space.

Comedy is not my first go-to sort of genre.

It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.

A woman who knows that she doesn't have to get all decked out to look good is sexy. A woman who can make you feel smart with her conversation skills is also sexy. I believe the sense of humor is important.

Although no one explicitly wants a president who could have a reliable fall back career in stand-up comedy, everyone shudders at the thought of a Rutherford B. Hayes or John Kerry.