For me, graffiti means making marks on surfaces using just about anything, be it markers, spray, paint, chalk, lipstick, varnish, ink. Or it can be the result of scratches and incisions. The aim is to maintain the energy created by disturbance or excitement in the street.

I see a really good tag on a building, a man passed out in the middle of the street, a couple hugging, a cop arresting a panhandler. I'm interested in how all these things are happening in one block.

Street artists need to get back to actually doing things on the streets instead of in the galleries where they all seem to be ending up. I hope this term 'street artist' falls from the face of the earth, in my honest opinion.

I read in a weird way. It comes in waves, and then I start, like, five different books at once. It takes me six months to a year to finish them all, since I read mostly on planes.

I set writing aside when I went into theater, and then I set theater aside and subsequently had about a 25-year career in software development. Which, by the way, is a very creative field. I equate it more to kinetic sculpture than anything else, as an activity.

I use a lot of film images, analogies, and imagination.

I'm just used to having so much control in music and in acting you have to give that up a bit. Sure, our voices are heard on set, but at the end of the day you can lose an argument. Whereas in music, if I feel the second verse needs to be changed I can change it. I find it really hard as an artist to give up some of that control.

When I'm writing instrumental music, I try to find musical and non-musical inspirations.