Mirzapur's female characters are very strong, liberated women. Infact, the boys are leaning on us and we are contributing to the plot in a very strong manner.

Every element contributes to building a character and I'm especially fascinated when it comes to recreating period looks.

I am not at all in a rush to make a career that only lasts for a short span of time.

In my latest 'Mirzapur,' I had no pressure actually to match up the level of other people in terms of performance because all of our characters were well-written. So there was no sense of insecurity.

A lot of the lessons that are taught in football will promote success in anything you get into after football; for me, it just happens to be music. Being disciplined. Good character. Trying to do the right thing, and working hard.

If there's any success that I've had, it is a direct reflection of the people I work with. We have a very smart team and an extremely hardworking team, both here in Washington and back in Illinois.

Myself, I believe that black theatre continues to evolve, and the success of writers like Bola Agbaje and Rachel De-lahay is proof that fresh voices continue to emerge.

Just as the mind emerges from the actions of individual neurons and their cooperation, the success of an organization emerges not only from its individual participants, but also from the interplay between them.