Growing up, I never knew that Raffi turned down celebrity endorsements, TV shows, and specials and refused to make merchandise, but it makes sense given how I think about him: My memories are limited to his voice through the record player and the album covers I stared at.

As a journalist, you don't tend to interview people with a view to becoming their friend. You can't expect that. It's not professional.

I've written about women's lives, and I just want to write about them from being a woman. I don't need feminism on top of that when I'm writing.

I didn't study English literature - I studied philosophy at university - so Kierkegaard, Nietzsche - these people are among the most important writers to me. So my interest is in the big questions more than it is in storytelling.

When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.

I'd have to say I'm most proud of my mentoring camp that I do in Dallas every year for one hundred boys from single-parent homes. I was raised by a mother who was a Sunday school teacher and a father who worked hard. Together they taught me to give back.

My family didn't have any money growing up. I'm just a girl from the ghetto; from Indio, California.

That's your dream, to get paid and take care of your family. But you still want to win, too.