I don't say that I have a job. I have a gig, or a piece, or a film, or a show, but it's never a job.

It was just an incredible experience all around on 'Boardwalk.'

Vice' came up really quickly. I was doing something else, and I got a call, and I said, 'Absolutely.' It wasn't a lot of time to prepare. I love a lot of lead-in time. But I jumped in.

I tell people that I've had a chance to work Sam Esmail, Damien Chazelle and Cary Fukunaga, and those guys are working on a different level.

For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.

People ask, 'How can you let a defeat hurt you so much?' But it comes back to the effort you have put into your career as a youngster.

With Marathi cinema, content is king. It has always been driven by content. I am lucky that I don't have to leave home to seek a job elsewhere. The industry is here at home.

My career highs were definitely in 1983 and 1984, because Kajagoogoo's 'Too Shy,' which I co-wrote, went to number one in many countries and was top five in America. However, the band fired me in August 1983, so I was suddenly on my own as Limahl.