My parents' generation didn't have any understanding of psychology or emotion or individual temperament. In fact, they were slightly embarrassed by all those words.

All my books are about one major idea and two or three subsidiary ones. I have thought a lot about music when constructing books, and I like the way in music that themes come back.

Certainly, we all have within us the potential to live in a hugely different way. And how happy you can make yourself, I think, a lot depends on how much you beat yourself up about that; and how much you can, in some sort of providential way, console yourself and say, 'Well, it's all worked out for the best, in the best of all possible worlds.'

Bond doesn't have an inner life. There would be moments when I'd think, 'We need to gather our thoughts here and have a breather,' where in another novel you'd slow the pace, have some description and see what Bond feels about this. But Bond doesn't reflect. All you can do is move on to the next bomb or shark or car.

As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons.

Every musician that dies is the greatest ever when they die. I never heard a David Bowie record in my life. But for whatever reason, he's one of the greatest of all time now. You know why? 'Cause he's dead.

I think people are by-and-large happy with the providers that they have got now. They treasure that doctor-patient relationship.

Christianity has made of death a terror which was unknown to the gay calmness of the Pagan.