When I was growing up, I wanted to do Letterman and I loved that live, in-studio model. I still would do something like that.

I think comedians should focus on what makes them happy, what art form fulfills them the most. Don't be calculated about it and say, 'Okay, I'm gonna tweet, and I'm gonna podcast, and I'm gonna do standup, and one of those things is going to lead me to my own TV show.' I don't think that should be the goal.

Your average comedian doesn't know the podcast universe, really.

I came to one of the first Comic Cons in 1985, when it was just people trading back issues of comic books.

So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.

Comedy is like music, and the way to make the best music is to have skilled musicians in your band.

Everyone sees something different in 'Endgame': a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth - not about the play, but about the person watching it.

My mom is just authentically herself all the time. She loves herself. She loves her sense of humor. She brings people in when she talks. She brings people in when she laughs. Watching her, I think that that's when I first learned and was encouraged to be myself and to sort of love and live in that way.