I had very big lips growing up, so my brother started to call me Scooter Fish because he decided a scooter fish has big lips.

I think people got this idea that I wanted to be a star. Managers of the past don't have any kind of public persona - it's all about the fame of the artist. I really don't want to be a star. I just want to have a platform.

The really great brands live on this idea of bringing something that's truly authentic - and then building around that. It's not about trying to be something as much as it being who you are in the best light possible.

If my ambition was to stay a manager the rest of my life, then I'd probably follow what people think managers are supposed to be like, but my ambition was never to be a manager.

In architecture, you arrive so late. I look at doctors, lawyers I know, and they're all buying boats and bailing out at 62. My career is just getting started.

Obviously there's not much options when you're a cartoonist - you pretty much either work at home or rent an office I guess, and working at home just seems easier.

The excitement of being a Task Rabbit is that you can create your own businesses and become an entrepreneur. We're creating jobs for people in this economy. Some of the Task Rabbits are cashing out at $5,000 per month.

I don't always enjoy curating, but I do believe it's part of my job. It's a good exercise for my brain, like warming up. Just focusing on my work would be so depressing! For me, curating is necessary - it's like physical training.