I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.

I remember being influenced by great artists when I was a kid - not to call myself a great artist - but people who I thought were great enough that they really made a difference. And so I would never want to be disappointed by them, and I want to make sure I never disappoint audience.

I suppose it's fair to say that I am interested in the invention of self or selves. We're all born into certain circumstances with particular physical traits, unique developmental experiences, geographical and historical contexts.

I've actually always started with what feels most natural. Which is, the people who surround me in my daily life. So, the first show I ever wrote, which is called 'Surface Transit,' was based in part on people I knew from my family. Co-workers, ex-boyfriends. All of that kind of thing.

There is no point helping some people when, the next day or when the next family comes into your office, you are not able to help them.

I never, by any regard, ever denied any part of my family roots.

My parents, especially my father, discussed the question of my brothers' education as a matter of real importance. My education and that of my sister were scarcely discussed at all.

Not all children have the anchor of a strong family.