People understand the simplicity of violence, and martial arts has always been about the more efficient way to deliver said violence upon an adversary. I've kept that philosophy as the focal point of what I do.

I think, for an artist, when you're drawing somebody who actually exists, it's a much steeper critical curve, as there is an actual representation of that person out there. You can't just interpret it any way you want.

You may not like the way I deliver the truth - you may take umbrage with the way I handle most of my conflicts - but that's the way I do business.

The biggest thing here in WWE is that if they see some really valuable qualities in you, they're really going to do their best to maximize them and put you into the scenarios and into the situations where that's going to make the most impact. For me, they've definitely done that.

We have thousands of patients and family members who are dealing with dual devastation, cancer and the hurricane.

My dad had an aunt at the turn of the century who died from diabetes, but she was the closest affected relative in my family.

My favorite room in the house is the living room. We have two big couches, six recliners and over 20 pillows. It's a really comfortable place to hang out with my family.

I have an idea I want to test, for combining old peoples' homes and orphanages. Old people are lonely without children, children are lonely without parents. Why not bring them together?