People understand the simplicity of violence, and martial arts has always been about the more efficient way to deliver said violence upon an adversary. I've kept that philosophy as the focal point of what I do.

I think, for an artist, when you're drawing somebody who actually exists, it's a much steeper critical curve, as there is an actual representation of that person out there. You can't just interpret it any way you want.

You may not like the way I deliver the truth - you may take umbrage with the way I handle most of my conflicts - but that's the way I do business.

The biggest thing here in WWE is that if they see some really valuable qualities in you, they're really going to do their best to maximize them and put you into the scenarios and into the situations where that's going to make the most impact. For me, they've definitely done that.

I've had a very good career and I'm grateful that the public has had some level of acceptance and appreciation of my work.

Nothing in my decade-plus entertainment career has meant more to me personally and professionally than my involvement with HQ.

When you have a song on the radio your career and your life changes maybe for the better and maybe for the not so good... depending on how it's going that day.

The record industry is still pissed off that other people are making money off their business, even if it promotes their products and increases their sales. I think they're still mad about radio.