Growing up, I listened to a lot of everything - I fell in love with music, when I discovered people like Lauryn Hill and Tracy Chapman, people whose voices I could really feel, people with a lot of soul. That's what I'm drawn to as a musician: Anybody that has their own voice and their own point of view.

Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.

I get so many questions in interviews about feminism, and I think the second you start separating femininity and masculinity and giving one more power than the other, that's like - everyone is a person.

I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.

I am still a lover of paper books. One of my first jobs was in a bookstore, and I still like to be able to write in a margin and feel the paper. Once inside of a digital device, I end up losing things.

It is time to stop debating whether the Internet is an effective tool for political expression and instead to address the much more urgent question of how digital technology can be structured, governed, and used to maximize the good and minimize the evil.

Social media is a huge struggle for my generation in general - it's a lot of pressure! Even having an Instagram is stressful. You have to make it look cool, posting it at the right time, and it's become its own job and not something where you connect with people.

What was really interesting to me about 'The Telegarden' was this idea of connecting the physical world, the natural world, and the social world through the Internet.