You do get used to the ups and downs, the rejection of auditions and not getting parts, and so when you do get a job, it feels really special, and you try to hold onto it for as long as you can.

My family runs a little art gallery back in Cornwall, so flashy cars and things like that have never really been particularly interesting to me.

I hear stories of kids trying to swipe left or right on books - we have to rein that back a bit and not become drones ourselves. The more we embrace it, the more machine-like we risk becoming.

I think great art comes from being open and creative with somebody, and of course, if feelings start getting involved in that, it can either make things fantastic or really messy.