Growing up in New York, there are a lot of tenement buildings and a lot of projects. You don't leave your projects too much. The laundry's there. The grocery store is there. Everything takes place right there. When I got knowledge of myself and thought about moving around the city, hip-hop was something that helped me.

I'm me, and the me that's me is me and is going to continue to be me, and it's always reaching and growing.

Being black in America - especially as I was growing up - the feeling of oppression, the feeling of being outcast, the feeling of not having a voice was part of my life.

The influence of the Shaw Brothers films on my work has been profound. In addition to the richness of Asian culture, we at Wu-Tang were fascinated with the struggles between the oppressed Chinese villagers and the repressive Manchu authority and how it mirrored our own experiences growing up as black kids in America's inner cities.

The creative industries, a source of optimism in recent years owing to, among other things, a resurgence on the world stage of British music, have come out foursquare against Brexit.

First of all, I'm not a singer or rapper. I'm an artiste. Besides singing, I produce music, dance, write poetry, and sometimes I paint as well.

One of the biggest misconceptions was, after I left Dream Theater, I went off and did, like, five different bands and side projects. Everyone was like, 'We thought you wanted a break.' And it was like, well, I didn't want a break from making music; I just needed a break from the Dream Theater camp.

You - and I have to remind myself of this - are capable beyond your wildest imagination.