I write as if I'm someone reading the book - often people ask if I write one strand first and then go back and seed in the other, but I don't think I could keep track of who knows what, and the tension would come out wrong, so the answer is no - I write it more or less in the order you read it.

I'm not 100% sure 'Rebecca' qualifies as a thriller, given it's three parts screwed-up love story and two parts ghost-story-without-a-ghost, but the mystery at the heart of the novel is what happened to Maxim's first wife, the eponymous Rebecca, and it's unravelled with the pacing and finesse of the finest psychological thrillers out there.

One of my desert island books, 'The Leopard' is not so much a novel as a eulogy for a way of life and a Sicily that was already lost by the time Giuseppe Tomasi di Lampedusa was writing.

I found the success of 'In a Dark, Dark Wood' really distracting when I was writing 'The Woman in Cabin 10,' but in a way, the fact that 'Cabin 10' was doing well felt quite freeing while I was writing 'The Lying Game.'

I'm married to a white man, and then my daughter came out looking like the whitest white child with blonde hair and blue eyes. And I'm like, 'Omigosh, now what am I going to do?' She has my mom's features and is lighter than my husband. And my boy is browner than I am. Brown eyes and really tan.

What we must not do - what we must never do - is turn on our neighbors, our family members, our fellow Americans, for something they cannot control, and deny what makes them human.

There have been a lot of times in my life where I came out to a perfect stranger by some chance encounter. It's way easier than coming out to your family. I started high school 'out,' then I had to tell my family. I had to introduce myself to the family.

My parents were fantastic. I was an only child, so I had a lot of love and too much attention. I don't think I was spoilt. My mother was quite a disciplinarian, but I did have a lot of attention and quite a lot of pressure to do well at whatever I was doing.