To me, songs come of their own volition - and with an open-ended philosophy.

I made the decision to take on board the critical feedback. Reviews are something you can easily ignore as a performer or writer but I chose to not ignore them here and I think that I benefited. I think I'm stronger for it - and I have a tougher skin as a result.

I think I've done a pretty fantastic job, but of course I want to sell millions of records.

I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twists and turns of an artistic career.

One of the successes of Kickstarter is that it takes the guesswork out of greenlighting games. Publishers of larger games have to carefully choose which titles they publish, lest they lose a bunch of money on a quirky game that doesn't sell. Kickstarter is all reward, no risk, since nobody has to pay if the project isn't completely funded.

It's my responsibility to make the movie work with the schedule and money we have. It's my job to get the best movie we can do in the time we have.

A fan sent me a letter and a $10 bill. It's a short letter - all she said was, 'Hey, since it's harder for you to go out these days without getting photographed, here $10 for a pizza.' I was like, 'Aww, she sent me money for a pizza so I could eat at home!'

I don't have power or money and one-sided media support or the inclination to stoop to any level for the sake of power.