My parents were so relaxed by the time I was growing up that I got away with a lot more.

It's important to have female solidarity and support each other and other actresses.

Where I am now, you're very much at everybody else's mercy. You have no control over your career in a lot of ways. It's just important to know what your own goals are, because that's empowering.

I'm ambitious but I'm not particularly competitive. I'll try to get roles, as I think it's healthy to go for things, but... I think there's too much competition between women already. It's important to have female solidarity and support each other and other actresses.

I've always been interested in visual art and used to be much more into theater when I was younger, or more knowledgeable about what's going on. And literature has played a big part in my life.

I think the benefit of being a writer is that I'm looking for the subtext on the page, because all good writing has subtext. And as a writer, you look at the big scope of things, the big story, rather than just your individual story line, because I think it's important to know what you're in and how you fit into it.

When I was doing 'In the Heights,' I was the co-music supervisor for 'The Electric Company' on PBS, so I was writing songs all day, doing the show, staying up until 3 A. M. Writing more songs, recording demos in the intermission in my dressing room.

In Strapping, I had experimented with a creative catharsis under the assumption that art doesn't need to be accountable for itself, but I found out in very practical ways that you are accountable for everything you say. Everything you write, everything you do becomes not only your identity but your world resonates with it.