I don't think a professional agent or theatre manager would say my career had gone as well as perhaps it should have after that first 'Oliver!' success, but then again I was never really intending to have a career in the professional theatre in the first place.

I never thought about settling down. I was obsessed with my career - I was blinkered. I finally met a woman who was worthy of me. Then we settled down and had many children.

I always write 'Fight' on the mirrors - that goes way back to the times when you had to fight apathy.

I'd been collecting eccentric moves since I was a kid and didn't even know that the dance step I improvised in 'Be Back Soon' was called a 'pas de basque.'

Often, particularly towards the end of the process, I think of myself less as a theatre director and more as someone who just directs the traffic. My job is to move the ideas and bits of the show into the places where they work best. Sometimes my job is also to say, 'No.'

Idris Elba saved my butt in a point in my career that he can do whatever he wants, and I will back his decision no matter what. He got me one of my first pretty big studio gigs, and we had never worked together... It was a time in my life where I really needed it. So whatever Idris wants to do, I'm down with.

I think the thing that really started setting my career on the course that it's on is when I did '1000 Cats' on 'Funny or Die Presents' on HBO. That's what I feel like kind of got me a little bit more into the system.

Financially, I've done very well doing what I do. I've got plenty of money in the bank. I've got gigs with FOX doing analyst work, media work. The UFC has been very kind to me. Ultimately, however, I want to be world champion. I have to achieve that to validate my entire career.