I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.

I thought I would be a visual artist when I was growing up, so I'm always up for a bit of experimentation.

There's a great deal of tension between so many kind of distinctive and restrictive female archetypes and images in the world. When you play with the archetypes, you get free.

I became a singer and a songwriter by learning on the spot, so think I always need to be slightly out of my comfort zone when I do something. I've never stopped being experimental because that's how I started.

I feel Afghanistan has a very strong social fabric and sense of family... what I would like to do is encourage everybody in the country to appreciate more the role of women at home and outside.

In many respects a teenage girl's home is more important to her than at any time since she was a small child. She also needs emotional support and protection from the most corrosive cultural forces that seek to exploit her when she is least able to resist.

As long as working women also have to do the work of child and family care at home, they will have two jobs instead of one. Perhaps more important, children will grow up thinking that only women can be loving and nurturing, and men cannot.

When you meet your kids, you realize that they deserve great parents. And then you have your marching orders, and you have to try and become the person that they deserve.