I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.

I thought I would be a visual artist when I was growing up, so I'm always up for a bit of experimentation.

There's a great deal of tension between so many kind of distinctive and restrictive female archetypes and images in the world. When you play with the archetypes, you get free.

I became a singer and a songwriter by learning on the spot, so think I always need to be slightly out of my comfort zone when I do something. I've never stopped being experimental because that's how I started.

As a parent, I tell my boys to keep away their smartphones and go outdoors and play. I take them to our farm where my father does a bit of farming, where they get their hands dirty. It is their digital detox.

As a child, I was an observer, a listener for the stories of grown-ups. I led a quiet, solitary life with my mother, interrupted in the evenings by the arrival of my father who preferred to live in a state of emergency.

If my subject is alive and is willing to talk to me, I will do it. But I always try to find people who were close, like lovers and family members and work colleagues - because we are what we think we are, but we're also the perception that others have of us. The truth is a sphere. There's always a hidden face.

I probably spend more time with my kids than the average stay-at-home mother.