When they invented the Steadicam, every movie had to have a fight in a stairwell. Whenever there's a new thing, it's abused until artists realize what a Steadicam as a tool can be. And now I defy people to be able to see Steadicam shots, because we know how to do them and make them invisible.

You just have to do your art. Nothing can stop you.

We are ultimately alone in that we are ultimately responsible for ourselves.

It's the most unrealistic thing you can do to shoot a close-up, and it's the most unrealistic place you can be as a performer. And yet actors grouse about having to do visual effect shots, but they love doing close-ups.

And at a relatively early age, ten or so, I invested my first share of stock. And I used to follow, look at companies and so forth. But throughout the whole period, and indeed right through my college years, while I was involved in the stock market, always interested in finance, I never thought of it as a full-time job.

If we keep making things based on violence and platform jumping, you don't need Ellen Page to do this, to be honest. It would be a waste of time and a waste of money.

Those who have contributed great positive innovations to our society, from the pioneers of genetic understanding to the pioneers of the Information Age, have received a pittance compared with those responsible for the financial innovations that brought our global economy to the brink of ruin.

ER' was an all-consuming universe, but I don't have a single regret. It gave me some of the greatest friendships I have and afforded me one of the rarest commodities in an actor's life, which is the financial security to pick and choose jobs for factors besides the paycheck.