Videogames based on golf have often been viewed as, to mangle a phrase, a good walk through a virtual world spoiled. Connecting with your virtual golfers has often been as hard for gamers as understanding the sport itself.

There's a certain logic to avoiding the haters, but as a strategy, it's utterly flawed. When you turn off the feedback, you lose the benefits as well as the drawbacks. It's like having a sore finger and cutting off your arm.

A Valley Without Wind' takes the idea of dungeon crawls and throws it on its head by casting you as a magic user in this 2D platforming labyrinth of a world. From NPC's to rescue, spells to learn, and a whole civilization you practically need to build back from scratch, this adventure takes to a new world where few other games dare to go.

Fowl Space' was a lovechild of boredom. While in class, two of the developers started passing designs back and forth. Somewhere in the middle of all that ink and crumpled paper, a chicken in a space helmet was born and thus we have 'Fowl Space.'

I feel like there's an obligation - this sounds terribly pretentious - if you're an artist, to share your own experience in a way that's truthful and honest: 'This is what I have to share; this is my life.'

In real life I've learned to love not wearing any makeup whatsoever, and I'm super low-maintenance when it comes to my hair.

One important lesson I learned over and over is that, when you walk into any troubled organization, there is a delicate balance between expressing human empathy and yet not passively sweeping hard truths under the rug.

There's no meaning to life without music. Everybody has their own connect with music.