When someone sets out to be controversial or provocative or shocking as an end in itself, I don't think that's a noble goal.

Over the years, I've realized that I have as much in common with the performance artist, the standup comedian, the screenwriter, as I do with the theologian. I'm in an odd world where I make things and share them with people.

If there's any place where you would express your deepest doubts, it would be church.

For a lot of people in our world today, God has become about believing the right stuff so you don't get in trouble.

I thought Clint Eastwood was cool in all the western movies, but I'm not gonna drive somewhere he's at and stand in line to see him. I told Missy, my wife, 'The only person I'd stand in line for is God Almighty. You made the universe? All right, I'll get in line!'

After I released 'Jesus, Take the Wheel,' people started saying, Oh, it's kind of risky. You're coming out with a religious song. And I was thinking, Really? I grew up in Oklahoma; I always had a close relationship with God. I never thought it was risky in the least. If anything, I thought it was the safest thing I could do.

To play June, I had an immediate connect with her background and culture. We grew up with the same religion and shared a lot of the same values of family and spirituality. But I was really so inspired by what a modern woman she was.

It is the conflicting interests of the man and the woman, the home and the shop, the Church and the State, which cause the economic struggle, the war and the strife with which mankind is cursed and which make all long and pray for the reign of peace.