I don't look at our society today too much. My focus is still in the past, and part of the reason is because what I do - the wellspring of art, or what I do - l get from the blues. So I listen to the music of a particular period that I'm working on, and I think inside the music is clues to what is happening with the people.

I think all in all, one thing a lot of plays seem to be saying is that we need to, as black Americans, to make a connection with our past in order to determine the kind of future we're going to have. In other words, we simply need to know who we are in relation to our historical presence in America.

I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.

It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.

The reason why I take my life is because I want to go to my wife and boy. My usefulness in this world is at an end. I can not be satisfied in any business and can not be without their companionship.

Honesty and loyalty are key. If two people can be honest with each other about everything, that's probably the biggest key to success.

Bip is the romantic and burlesque hero for our time. Bip is a modern-day Don Quixote.

People approach you for the work they have seen you do. I don't think people see me as a lover boy dancing around, so I haven't received a role of that kind. I'm going to do roles that appeal to me.