It turns out that my memory is just not that great, so for specific scenes with people doing stuff, sometimes I'd have the details all wrong or I couldn't remember what happened exactly, so I just let that be.

This is odd, but there are certain things that are really embarrassing to talk about - one is my job and the success that I've had in it, and the other is money.

But that incessant drive to be out there in the literary universe that was important to me when I was in my twenties, like going to a Paris Review party or whatever, that seems totally irrelevant now.

What genre it falls under is only of interest later.

With song titles, I try to keep a healthy sense of humor while saying something at the same time.

I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.

Sometimes, things need to be so understated on film that I don't even see them as funny, which isn't my favorite style, comedically. When I watch film comedy, I like people that are a little bit more alive on the screen and wound up. I like volatility and unpredictability and other long words like those.

The U.S. - the idea that the U.S. has introduced and imposed principles of international law, that's hardly even a joke. The United States has even gone so far as to veto Security Council resolutions calling on all states to observe international law. That was in the 1980s under Reagan.