Obviously if you're Coppola going into 'Apocalypse Now' off the back of the two 'Godfathers,' you're in a much better position than coming off the back of something like 'Dust Devil,' which had scarcely been released, and was pretty much lying around in film cans in different places.

I was so in debt by the end of 'Dust Devil,' having picked up the tab personally for the post-production of the movie, and having no way to recoup because I didn't own the rights to the movie. There was no way I could see any money back on it, so any money spent was just a dead loss.

With 'Moreau,' it's been particularly confusing because I started out being the writer of the screenplay and then trying to be the director, then being moved from being the director and having to become the dog extra, it makes some kind of sense to suddenly become a character in the story.

I particularly love watching 'Hardware' with a young audience.

I'm a big Arcade Fire fan. I love the way they make records - 'Funeral' being my favorite.

What we think of as our sensitivity is only the higher evolution of terror in a poor dumb beast. We suffer for nothing. Our own death wish is our only real tragedy.

I think my mother was there all the time. Every time I thought I was almost dying and gave up hope in my life, I felt like she was whispering in my ear and asking me, 'Why are you doing this?'

I finally admitted that obesity and diabetes were part of a life-threatening legacy - and I had to deal with that reality or die.