When I was 4, my parents took me to see a musical, and I was like, 'I want to do that!' I started doing all sorts of musical camps and a lot of professional theater. I took dance classes for 10 years, too - I was never the most amazing kid in the other classes, but tap stuck with me for some reason.

I think every role you do prepares you for the next one. Of course, 'Nashville' has been, and will continue to be, a huge learning experience for me as an actor. It's something that I grew a lot doing.

It's about learning what's important and what's not important, and at the end of the day, what size you are does not matter at all. I don't have time to worry about that stuff; I'm going to be healthy.

I was a '90s kid, so I missed 'Jem and the Holograms.' But once I delved into the whole world of it, I realized it's iconic. There's incredible dancing in the movie, too.

I think reviewers have become particularly venomous because, in a way, the power has been sucked from them. A 15-year-old can write a review on the Internet and it means as much as Roger Ebert's review, and that just makes Roger Ebert mad, so he comes out harder and stronger.

I made my money with software - encoded knowledge without which few products and services can exist today - and so it seemed imperative that this would be the field where I would give something back.

Well, the rollout of new technology always affects how wizards do business.

Throughout the history of communications, we've seen that the country that sets the pace in rolling out each new generation of wireless technology gains an economic edge.