Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.

One of the greatest things about 'Continuum' is how great the writing is; our writing room is one of the most talented ones I've ever had. It really helps me as far as character development because they paint a very descriptive picture of who the characters are while still letting us have freedom to put in our own ideas.

I don't have an acting coach, but the closest thing I have would be some of my peers that are my close friends. We bounce ideas off each other and help one another run our lines all the time.

I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.

Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.

I'm not an expert on the Malaysian sense of humor.

You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke.

The thing I thought about doing it was it's Comic Relief and you've got to be funny. So although I did try to sing properly it obviously has hilarious results when you can't sing.