Growing up in Jersey makes you a little bit ballsier, a little more outspoken.

Glee' is very easy to clown because I feel like it's just crumbling. 'Smash!' 'Smash' is the ultimate. I love it because I'm all about theater. I did plays in high school and college, and it totally brings me back to that feeling: how excited you get on opening night, how it sucks when you're not learning the dance moves.

I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.

When I was younger, I was an avid science girl. I was all about, 'I'm going to be a doctor.' Even when I graduated, I was like, 'I'm going to be a doctor.' Even though I did acting and I was in plays and drama clubs in high school and college, I still didn't think I was going to take it on as a career.

I think it'd be a lot of fun to jump back into the comedy world.

In my mind, if you write a comedy where human beings experience pain, you're just being realistic.

I think kids want the same thing from a book that adults want - a fast-paced story, characters worth caring about, humor, surprises, and mystery. A good book always keeps you asking questions, and makes you keep turning pages so you can find out the answers.

You have to have energy at hour 13, at hour 14, at hour 15 - comedy cannot be tired, cannot be lazy. You have to be ready to go; you have to have energy.