When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.

I came to architecture from building. Because my father was a builder, everybody was - and is - a builder in my family.

Architecture is a very dangerous job. If a writer makes a bad book, eh, people don't read it. But if you make bad architecture, you impose ugliness on a place for a hundred years.

There is something about giving everything to your profession. In Italian, an obsession is not necessarily negative. It's the art of putting all your energy into one thing; it's the art of transforming even what you eat for lunch into architecture.

I like to stay in the space of creativity, and I want to go towards that all the time.

We have a history in country music of writing about the darker side of things - maybe not as much in modern times, but there's a lot of cheating and self-deprecation. We sort it out in song, in country music, as a genre.

The challenge in writing a show that's about people and their flaws is that it can easily tip over - okay, I'll sometimes watch something, and there will be characters that are written in a way that I'll know that the writer just hates human beings. They're expressing this misanthropic point of view with these detestable characters.

I get the best inspiration or the most creativity from real emotions.