I describe my projects using colors because it's the best way to describe 'em. I would say that 'Moon Shoes' was way more colorful than a lot of my other music, just because I was pulling from so many different places. Imagine learning how to talk for the first time, and you're just saying everything.

I think the biggest reward is not physical. I rather obtain things spiritually. I mean, it's so cool to be acknowledged by the public, but that's not my goal. That's not why I make music. I would do it anyway, if there was no reward.

I would say that the pivotal moment in singing for me was my sophomore year in high school, 'cause I always loved music but, even going into high school, I didn't know I wanted to make this my career.

I think it is important to surround myself with artists who share the same goals and aspirations. This way, I am constantly encouraged to sharpen my craft and challenge myself.

When you're writing a screenplay, it's like you're dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it.

In schools giving students a full education, not to create great artists but about the right to have full expression and imagination and creativity, along with an acknowledgement that everybody learns differently. You try and you fail and you try again. All those skills are useful in the workplace, too.

The human relationship to combustion is as mysterious as it is fraught with madness. From the candle flame to the nuclear blast, it has lit up the human imagination with fear and fascination.

I don't consider myself an artist necessarily, but craftsmen or people in the arts, their spiritualism is sort of when you're writing well or performing well or doing whatever you do well, there's an element of that that's either God-given, a talent that you're not necessarily responsible for.