I especially have very fond memories associated with the 10th day of Dassera. My friends and I would meet up and build this huge 7-feet-tall Ravan, which we'd burn at around sunset in our colony. And this was no ordinary Ravan. We'd actually sit and hand-mix the contents of glue and glitter with the dough and wrap it around newspaper for the base.

What is the obsession with not repeating clothes or making appearances that have been similar to the one's we've made in the past? Why is the fashion police so intense? What do they expect from us? What kind of pressure is this?

When I see people scratching and clawing towards ambition and greed, I wonder why they are doing it and for what.

When I began my career, I had films with the biggest film-makers in the country.

At its essence, 'Groundhog Day' is an existential journey of an unhappy, judgmental, slightly narcissistic, misogynistic, dissatisfied, aspirational, entitled, privileged male who has to learn to be the opposite of all those things to find happiness - to learn that learning is important and that you don't get to control everything.

Excellent education and an excellent environment are two hallmarks of our state. How we treat our environment is connected to so many other opportunities in Maine.

I didn't even have a clear idea of why I wanted to go to Oxford - apart from the fact I had fallen in love with the architecture. It certainly wasn't out of some great sense of academic or intellectual achievement. In many ways, my education only began after I'd left university.

The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great. I did a tiny bit in the one school in Paris, and it was wonderful because you'd have a nude taking a crazy position, and you'd have 10 seconds to do a drawing. Then you'd do a one-minute drawing.