My impression of Wall Street growing up was certainly that it was like the big, bad place where all of the men did the bad things with our money.

I struggled coming to terms with the fact that I'd been assigned female at birth, but that I didn't feel like a girl or a woman or a man or a boy.

I do say gender fluid, because I experience my gender identity as being fluid because it's on a spectrum.

One of the best side effects about working on 'Billions' that I did not anticipate were the number of conversations I had about gender identity with my fellow actors and also members of the crew. From the person holding the boom to the person wiring my microphone, just how many conversations I had with so many open minds and hearts.

I have no idea why I write. The old standards are: I like to express my feelings, stretch my imagination, earn money.

Those have a short Lent who owe money to be paid at Easter.

Not everything is about money.

If you look at film, distribution is pre-bought. If you've paid for the distribution, you say, 'I have to make sure it's a film that gets enough butts in the seats.' I think that's the problem: It becomes prohibitively expensive, and you can't develop films for a smaller amount of money.