In the early 2000s, I was going through a lot. I didn't have my head screwed on right. Where I was at as a man, I was still growing up.

I always give RZA that support as far as saying he brought Wu-Tang to the table. It was his philosophy. He picked certain dudes to be part of this group, and he said, 'This is what it's going to be called.'

I want to show the world that you do have some artists that are ready to go to the next level, and instead of being selfish with their career they'll open up the door to other people. I'm in a position to open up the door to help other people do what I do.

In a nutshell though, it's just all about opening up to the people that really care about my career and really listening to everybody who is listening to me. It's just made me stronger, to really be able to open up that door and listen to everybody else's opinions.

If you lose a parent, it never goes away. As a kid, I dreamed about my father coming back for 15 or 20 years. I still do sometimes.

I would love to have a beautiful family one day, to win Slams. I'd love my kids to see me play before I retire.

I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.

When I was 18, and when I entered my family business, I soon realised that it wasn't as easy as I thought. I had to deal with people of my father's generation. Building trust was key to doing business.