The first female DPs that I was aware of were Ellen Kuras, Mandy Walker, Nancy Schreiber, Amy Vincent, Sandi Sissel, Maryse Alberti and Tami Reiker. You look for a role model as somebody who looks like yourself and is doing what you want to do; they were the handful.

The big trick is just to get to a point where we're just considered DPs, and we're not 'female DPs.' When you think of the word 'doctor' or 'teacher,' you don't think gender. And it would be nice to get to a place where 'DP' meant either and 'director' meant either and 'gaffer' meant either.

When I was studying photography, I became interested in conflict photojournalism, and that got me interested in lighting. Then I realized there was this amazing thing called cinematography where you could kind of tell more complete stories photographing for film. So I ended up going to AFI grad school for that.

We shot 'Mudbound' in the South in the summer, which meant we were working in extreme heat and humidity at all times and that it could go from glaring sun to overcast skies to pouring rain in a matter of minutes, often shifting multiple times a day.

I feel like I have this different opportunity that not a lot of athletes may have. It's the fact that I'm Korean-American, and the Olympics are going to be in Korea, but I'm also riding for the States. I feel like I got really lucky that it got all pieced together - my first Olympics, being in Korea where most of my family is.

I want to give Irish kids something to be proud of back home. I want to bring out a stronger image of Ireland instead of 'Irish Spring' and 'Lucky Charms' and all that rubbish.

I was born in 1957 as the second son of the late Sat Paul and Lalita Mittal. My father was a politician and, at one point of time, an MP. A gap of two years separates me from both my elder brother Rakesh and younger sibling Rajan.

Over the long hours of taping 5, 6 or 7 episodes a day, we develop a great sense of family.