I couldn't believe I was working with Michael Jackson. I thought, growing up as a kid, I thought Michael was a cartoon.

I've always had mostly women come out to see me perform. That's the reason the guys show up; they know R. Kelly is going to draw the women. Most of the songs I'm singing are catering to women anyway.

I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.

I started calling myself the Pied Piper, when I started using the flute sound in my music.

Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.

I had seen the financial crisis unfold, and I had seen the credit derivatives market get operationally ahead of itself, which resulted in systemic risk counterparty exposures. I began to believe that distributed ledgers had the capability to tackle that problem.

I can't give money away to buy listeners. I can't pay listeners off with phones or food stamps or anything. I can't come by my audience by buying it.

If the money's right, I'll do a film.