My professional and human obsession is the nature of language, and my best relationships are with other writers. In many ways, I know George Eliot better than I know my husband.

I sort of mind living in a time when most of the literature is terribly personal. I suppose it's because I grew up on a love of history, philosophy, science and religion, but not to think too much about yourself.

You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.

I like feeling my way into different minds and experiences. It comes naturally and always has.

Journey' is a way for us to explore the crossing, the intersection of our lives between each other.

I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong.

What draws me in is that a trip is a leap in the dark. It's like a metaphor for life. You set off from home, and in the classic travel book, you go to an unknown place. You discover a different world, and you discover yourself.

Democracy is an extraordinary adventure. It's difficult, full of daring and risk and danger. But it's the greatest gift we have.