When I was learning by myself, despite my parents, despite my teachers, despite society, when I was fighting for building my life as a young wire walker at age 16, I didn't have feelings, I had certainties.

My parents wanted me to have an honorable profession and not to be a jester.

I walk on the wire; it's my profession, and there are no two high wire walks alike.

I am the poet of the high wire - I never do stunts; I do theatrical performances.

I never studied writing, but I'd always been a reader and had a secret fantasy about being a writer.

It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.

I had written for the theater and didn't know that I knew how to write for film. Ultimately, I think it's just trusting your voice, trusting your characters, and then telling them in a different medium.

I think the biggest way of connecting with people is through your music and kind of saying what you want to say as an artist. And hopefully, you're making something that someone's going to be like, 'This is my favorite song.' That's always your goal, I think, anybody in any genre.